Dominic Cooke's acclaimed Royal Shakespeare Company adaptation of the bestselling novel by Malorie Blackman. First performed by the Royal Shakespeare Company in 2007.

An electrifying, bittersweet love story with echoes of Romeo and Juliet, set in a society divided by racial bigotry and a world rocked by terrorism. Adapted from Malorie Blackman's best-selling novels. Sephy (a Cross) is the daughter of the Deputy Prime Minister. Callum is the son of a Nought agitator. United by a shared sense of injustice as children, and separated by intolerance as they grow up, their desire to be together begins to eclipse all family loyalty - sparking a political crisis of unimaginable proportions. 'I wanted to turn society as we know it on its head, with new names for the major divisions, i.e. Noughts (the underclass) and Crosses (the majority, ruling society)' - Malorie Blackman Dominic Cooke's adaptation of Noughts & Crosses was first performed by the Royal Shakespeare Company in Stratford-upon-Avon in 2007.

The theatre rehearsal room is a sacred place. What goes on there is mysterious, alchemical and closely guarded. So how are aspiring theatre directors supposed to learn their craft? In Getting Directions, Russ Hope gives us the benefit of unprecedented, fly-on-the-wall access to eight rehearsal rooms. He has shadowed some of the UK's most exciting young directors at each step of the way, on productions as diverse as Shakespeare at the Globe, Greek tragedy at the Gate, Tennessee Williams at the Young Vic, panto at the Lyric Hammersmith, and a touring Dickens dramatisation. Describing each of these rehearsal periods from first concept to first night in revealing and often remarkable detail, Hope gets under the skin of the professional director, and reveals the decisions they must make on a daily basis: How best to arrive at a concept and communicate this to a design team? Which games and exercises really help to unlock the text for actors? And what should you do if everything is falling apart during the tech? Getting Directions will equip emerging directors with a practical handbook, not bogged down with theories or precepts, that lifts the lid on what it means to be a director. The result is both a portrait and a masterclass from a generation of theatre practitioners, essential reading for anyone who wants to follow in their footsteps, or to understand what directing really entails. 'An incisive kaleidoscope of rehearsal-room practice which is a useful tool for directors to borrow from and a fascinating insight for the curious.' Dominic Cooke, from his Foreword

A simple and delightfully inventive re-telling of the stories from the Arabian Nights. It is wedding night in the palace of King Shahrayar. By morning, the new Queen Shahrazad is to be put to death like all the young brides before her. But she has one gift that could save her - the gift of storytelling. With her mischievous imagination, the young Queen spins her dazzling array of tales and characters. On her side are Ali Baba, Es-Sindibad the Sailor and Princess Parizade - adventurers in strange and magical worlds populated by giant beasts, talking birds, devilish ghouls and crafty thieves. But will her silver-tongued stories be enough to enchant her husband and save her life? This revised edition of Dominic Cooke's Arabian Nights was published alongside the Royal Shakespeare Company's production in 2009.

A simple and delightfully inventive re-telling of the stories from the Arabian Nights. It is wedding night in the palace of King Shahrayar. By morning the new Queen Shahrazad is to be put to death, like a thousand young brides before her. But she has one gift that could save her - the gift of storytelling. Can the young Queen transport the vengeful King to the mystical land of her stories? On her side she has a rich array of characters including Ali Baba, Es-Sinbad the Sailor and Princess Parizade - adventurers in strange and magical worlds populated by giant beasts, talking birds and crafty thieves. Will her silver-tongued storytelling save her life? This edition was published alongside the Young Vic's production in 1998.